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Debbie Poryes - Jazz Pianist: Bios

Debbie Poryes

Debbie Poryes discovered the piano at age five, and loved practicing Chopin and show tunes until Simon and Garfunkel came along. She then switched to singing and playing guitar. Those early guitar years of figuring out music from records was the beginning of a lifelong fascination with harmony, music theory and listening closely and passionately to the structure of music. When she heard jazz for the first time at age 18, she wondered where this incredible music had been all her life. It inspired her to return to the piano, listening to and learning from her new and continuing heroes -- Herbie Hancock, Bill Evans, Thelonious Monk, and other greats. In those days there were no jazz courses at U.C. Berkeley, so she decided to stop going to school and devote herself full-time to jazz piano.

Poryes had her first regular gig when she was 20 years old playing five nights a week (from 5 p.m. to midnight!) for a year at Martino's Restaurant in Berkeley, where she certainly learned a lot of tunes! Throughout the 1970s she performed in many clubs and restaurants in the San Francisco Bay Area as well as for private parties of all sorts. She also worked in many other professional settings – from solo piano to big band – including two summers as the pianist for Make-A-Circus, a non-profit organization that provided free shows for children in public parks.

During this time, Debbie studied with various classical and jazz teachers in the Bay Area, including Art Lande and Jeanne Stark. She also started teaching privately, and taught ear training in Art Lande's jazz school in Berkeley, CA.

Debbie spent most of the 1980s in The Netherlands, where she held tenured positions in the jazz departments of two Dutch conservatories in Hilversum and Arnhem. She became fluent in Dutch, and her students loved her sunny California disposition and her patient and encouraging manner. Because Debbie loves classical harmony and its application to jazz harmony, she has always been involved with finding ways to communicate the beauty of western compositional thinking to her jazz students.

During these years she also recorded a trio record for Timeless Records. German and Dutch jazz magazine reviews for that record praised her playing as "crystal clear"...."with the swinging elegance of Tommy Flanagan combined with the depth of Bill Evans."

Debbie also worked and recorded as arranger and accompanist for several Dutch and American singers. She toured throughout Europe with her own trios, quartets and various other ensembles, including an eleven-piece group led by bassist John Clayton. She played at both the Bimhuis and Concertgebouw in Amsterdam, the September Club in Antwerp, New Morning in Paris, Quasimodo in Berlin, and many of the various jazz festivals in Holland, Belgium and Luxembourg. She also composed soundtracks for the Dutch documentary film company "Codia Audiovisual" and continued to develop her own jazz compositions. She returned to the United States in 1990 as a well seasoned, world-traveled veteran.

After developing tendonitis in her wrists, Poryes was unable to play for two years. Beginning in 1991, she completely revised her technique, adopting the principles of coordinative movement of the hands, fingers and arms, developed by Dorothy Taubman and Edna Golandsky. She was able to resume a full-time career as a jazz musician and teacher and credits this approach with helping her to have more complete control of her touch and sound.

In 2007, she recorded her second CD, "A Song in Jazz," on the Jazzschool Records label. It features Bill Douglass on bass (Marian McPartland, Mose Allison) and David Rokeach on drums (Ray Charles, Jersey Boys). The highly acclaimed recording received outstanding reviews, and sold copies across the country as well as in Japan and England. Brad Walseth of Jazz Chicago wrote, "Poryes' playing is confident, yet playful, thoughtful, but full of life," and Dan McClenaghan of All About Jazz called it "a knockout listening experience." The CD made the #1 slot on the Canadian Jazz Earshot chart, and the Top Ten in more than 20 American cities. The February 2008 Jazzschool CD release concert was sold out, recorded, and aired on KCSM, and the Trio immediately received a performance date at Yoshi's.

Poryes has been a faculty member of the Berkeley Jazzschool since 2000, teaching jazz piano and functional harmony. She also maintains a large private teaching studio with more than 30 students. Poryes is a member of the Music Teachers' Association of California and the Jazz Education Network. She continues to refine her piano technique with classical teacher John Bloomfield, and regularly performs throughout the Bay Area. Her recent solo and ensemble performances include appearances at Yoshi's Jazzclub, the Oakland Museum, the Jazzschool, the Berkeley Piano Club, the 2009 Healdsburg Jazz Festival, and many other venues.

Poryes has released a new quartet CD, "Catch Your Breath," Origin/OA2 Records (voted 2009 Jazz Label of the Year at the JazzWeek awards in New York) in March 2010. The CD reached the #16 slot on the National Jazzweek Charts after just a few weeks of release.

Debbie lives in Orinda, CA with her husband and daughter.

Bruce Williamson - Alto and soprano sax, clarinet, flute and more

BRUCE WILLIAMSON

Multi-instrumentalist Bruce Williamson was active in the San Francisco music scene until moving to New York City in the mid-1980s. In California he performed in blues bands, Brazilian bands and with jazz artists such as Mark Levine and Benny Green. He was also a member of the experimental jazz group Rubisa Patrol with pianist Art Lande and trumpeter Mark Isham. Shortly after moving to New York he joined organist Jack McDuff's band (with Dave Stryker on guitar), giving him the opportunity to meet and play with Jimmy Smith, Stanley Turrentine and George Benson. More recently, he has performed with his own groups in various New York City clubs and has been a featured soloist in Japan and Europe. Over the years, Bruce has also performed with Gary Peacock, Fred Hersch, Dave Douglas, Tom Harrell, Mark Soskin, Jim Pepper, Randy Brecker, Paul McCandless, Toshiko Akiyoshi Orchestra and many other jazz notables. Bruce can be heard on more than fifty recordings playing saxophones, clarinet, bass clarinet, flute, piccolo, piano and synthesizer.
In New York City's theater world, he has performed in many of Julie Taymor's productions; Juan Darien at Lincoln Center (1996), Lion King at the New Amsterdam Theater (1998) and The Green Bird at the Cort Theater (2000). He also performs regularly in the orchestras of many Broadway shows. In film, Bruce has been a featured soloist in many of Elliot Goldenthal's filmscores; Butcher Boy, In Dreams, Public Enemies, Titus, Frida (Academy-award winning score - 2003), and Across The Universe (the last three directed by Taymor). Bruce was also featured with the American Ballet Theatre Orchestra in Goldenthal's 1997 ballet Othello (choreographed by Lar Lubovitch) and with the NYC Opera Orchestra in the 2006 Taymor/Goldenthal opera Grendel performed at Lincoln Center. Bruce has been awarded Jazz Composition grants from the National Endowment for the Arts and The Armour Foundation. His compositions can be heard on various recordings, including his Timeless CD Big City Magic, the Turtle Island String Quartet CD Metropolis and a recent release called Resonance. A new quartet recording on Origin Records, Standard Transmission (with Art Lande) will be available this summer (2010)_ Bruce is currently on the Music Faculty at Bennington College in Vermont and has been a jazz clinician in both the U.S. and Europe..

Bill Douglass - Acoustic Bass

Bill Douglass is one of the most intuitive, listening bass players that I know. He always finds the perfect bass note for any harmony, one that’s both functional and melodic. And it’s always personal, soulful, singing. Somehow he justifies every chord voicing I make.

Bill grew up in Grass Valley, CA and moved down to San Francisco as a young man in the heyday of jazz in SF. He has always many wonderful tales to tell of the Both/And club and hearing and playing with great players who came through, and his favorite DJ to listen to in the wee hours, the Wolfman.

Bill has played and recorded with among others, Marion McPartland, Mose Allison, Terry Riley, Art Lande, Bill Frisell, Bobby McFerrin and Mark Isham. This year, he was on tour with Marion MaPartland throughout the western U.S. as well as touring with Mose Allison.

And in addition to all this, Bill is the founder and director of the Sierra Jazz Camp, where every summer he organizes faculty and concerts to educate and inspire students under the trees in the Sierra Foothills.

Learn more about Bill on his websites
(and listen to samples from his wide ranging discography!)

www.douglassmusic.com
www.sierrajazzsociety.com

David Rokeach - Drums

Playing with drummer David Rokeach is an absolute joy! He is a true jazz improviser, with the ears and technique to initiate and respond in the moment. His ideas are so clear and strong that it feels natural and easy to connect.

A long time Bay Area resident, David has been working primarily in the San Francisco and Los Angeles areas for more than 20 years.

David toured nationally and internationally with Ray Charles from 1990-91. This included concert videos and many television appearances, including an appearance on the Tonight Show with Johnny Carson and the Doc Severinsen Orchestra.

He currently holds the drum chair in San Francisco in the Tony award winning musical, "The Jersey Boys." In recent years he has performed/recorded with Aretha Franklin, Grammy winner Joe Henderson, Down Beat Poll winner Mark Murphy, David Grisman and many more.

Check out his website and listen to samples of him also.
http://www.davidrokeach.com/